As with many of Bernini's early works, it was commissioned by Cardinal Scipione Borghese, possibly alongside a portrait of Scipione's uncle Pope Paul V (who had died in 1621). The Greek mythological name for this god was Hades, which became more common as … It depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto. In Claudian …minor contains the mythological epic Raptus Proserpinae (“The Rape of Proserpine”), on which Claudian’s medieval fame largely depended. The effect of this group is marred by its present situation in the centre of the colonnade at Versailles, where it can be seen from all… Ceres, goddess of the harvest had a daughter fathered by Jove, and the girl's name was Proserpine. Abstract. Bernini was only 23 years old at its completion. All tapestries ship within 48 hours and include a 30-day money-back guarantee. “The Rape of Proserpina” by Bernini depicts the Abduction of Proserpina, who is seized and taken to the underworld by the god Pluto. Calliope’s choice of topic shows her wisdom and sensitivity. While reminiscent of Mannerism, particularly Giambologna's The Rape of the Sabine Women, Bernini permits the viewer to absorb the scene from one single viewpoint. The story of the lovestruck Pluto, who abducts Proserpine to the underworld, is told by Ovid in his Metamorphoses (V, 376–571). Present in both Claudian (De raptu Proserpine) and Ovid (Metamorphoses, V, 385-424), the myth tells of the abduction of the maiden on the shores of Lake Pergusa, in the vicinity of Enna. To which are added, the Phoenix: an idyll and the Nile: a fragment [Claudianus, Claudius.] Atsma, Aaron J. [10][11], During the First World War, the sculpture was protected by a box and sandbags to prevent damage. Web. Title: The Rape of Proserpine Creator: Van Aachen, Hans Date: 1589 artist: HANS VON AACHEN Physical Dimensions: w150 x h109 cm (without frame) Artist … [8] Another French visitor to the Villa Ludovisi was equally critical, stating: "The head of Pluto is vulgarly gay; his crown and beard give him a ridiculous air, while the muscles are strongly marked and the figure poses. Rape of Proserpina. In the context of the subject, the word "Rape" refers to the traditional translation of the Latin … Title: Amorini Celebrate the Rape of Proserpina. The Rape of Proserpina and Eve's Fall in Milton's Paradise Lost "She pluck'd, she eat" (PL IX.781). “ Pushed to the point of grazing the physical limits of marble,” Bernini's attention to detail and interest in realism is evident in the work's anatomical details. Details. RM0597.02. Theoi Greek Mythology; Exploring Mythology in Classical Literature & Art. 31 May 2015. Medium: Engraving and etching. Artist: Francesco Rosaspina (Italian, Montescudo 1762–1841 Bologna) Artist: After Francesco Albani (Italian, Bologna 1578–1660 Bologna) Date: 1805–12. To which are added, the Phoenix: an idyll and the Nile: a fragment In particular, Proserpina's seizure by the god of the Underworld – usually described as the Rape of Proserpina, or of Persephone – has offered dramatic subject matter for … “The Rape of Proserpina” (detail). Bruggink, Donald J. Metadata Show full item record. 4 Lankheit 1962, fig. The sculpture is a depiction of Prosperina — Goddess of Spring and Roman version of the Greece Goddess Persephone — as she is … [4] Howard Hibbard makes similar comments noting the realistic effects that Bernini had achieved via carving hard marble, such as the "texture of the skin, the flying ropes of hair, the tears of Persephone and above all the yielding flesh of the girl". Sculpture. Medium: Oak wood. Type: Painting. This then resulted in the myth surrounding the creation of the seasons, as Demeter mourned the time that Persephone spent in the Underworld with her husband. The Rape of Proserpina Oil on panel. In François Girardon …Goujon’s Fontaine des Innocents, and The Rape of Persephone (1677–79; pedestal completed 1699), in which he challenges comparison with Giambologna’s Rape of the Sabines. While this event is not from Christian beliefs, it still carries with it the same ideals that permeated this time period. This page includes several Latin versions of the story beginning with the famous account from Ovid's Metamorphoses, followed by … [14], "Newest Miami Condo Enticement: Modern Art", "Roma: Galleria Borghese, protezione del Ratto di Proserpina del Bernini", The Goat Amalthea with the Infant Jupiter and a Faun, Busts of Cardinals Agostino and Pietro Valier, Busts of Paolo Giordano and Isabella Orsini, https://en.wikipedia.org/w/index.php?title=The_Rape_of_Proserpina&oldid=1012820248, Bernini sculptures in the Borghese Collection, Pages using infobox artwork with the material parameter, Articles containing Italian-language text, Articles with unsourced statements from June 2019, Creative Commons Attribution-ShareAlike License, A fragment study of Prosperina's head, long thought to be by Bernini but probably actually created by a related artist is in the, This page was last edited on 18 March 2021, at 14:13. We've shipped over 1 million items worldwide for our 500,000+ artists. 49.1 x 37.4 cm. [5] The choice of incident to depict the story is commonly cited as well: Pluto's hands encircle the waist of Proserpina just as she throws her arms out in an attempt to escape. Oil on canvas. The Rape of Proserpina This sculpture depicts a story from Ovid's Metamorphoses in which Pluto falls in love with the goddess Proserpina and abducts her, taking her to the underworld where he reigns as king. It depicts the abduction of Proserpina, who is … The Rape of Proserpina (Bernini) is a large baroque marble sculptural group by Bernini executed between 1621 and 1622. The fact that the bodies are partially clothed, their genitalia hidden, only adds to the sensuality of this moment. Bernini Gian Lorenzo (Naples 1598 - Rome 1680) The work portrays the abduction of Proserpina by Pluto, the god of the underworld. Despite the resistance put up by Minerva, Venus and Diana, their relationship would blossom into love, as revealed by the presence of the cupids holding the chariot reigns and urging the horses on. While other views provide further details, a spectator can see the desperation of Proserpina and the lumbering attempts of Pluto to grab her. The Rape of Proserpina. Image Credit: Columbia University. Poem Title Original Publication CP Page no The Rape of Proserpina Tales from Ovid, London: Faber, 1997 901-911 Relationship to Classical text Based on Ovid Metamorphoses 5.346-571 *FREE* shipping on qualifying offers. 2 Zikos 2010, p. 35. As nymphs, the judges are predisposed to be moved by Proserpina’s story, since nymphs are frequently victims of rape. 105695). It depicts Proserpine being seized and taken to the underworld by Pluto.Exhibited in Rome at Galleria Borghese. It depicts the Roman mythological story of the abduction and subsequent rape of Proserpina by the god, Pluto. Image Credit: Wikipedia, The intricate, lifelike details with which Bernini imbued the sculpture further this story and give it an emotional depth that connects with the viewer. Learn more here: http://www.galleriaborghese.it/, Gian Lorenzo Bernini's Works Through the Lens of the Counter-Reformation. The sculpture was begun in 1621 and completed in 1622. Gian Lorenzo Bernini, “The Rape of Proserpina,” 1622, Marble. The emphasis on the sensuous, bodily experiences, as portrayed through the dynamic poses and the detailed contact between the figures, is characteristic of Counter-Reformation and Baroque thought. Quite soon after its completion, the statue was given by Scipione to Cardinal Ludovisi in 1622, who transported it to his villa. Although formerly attributed to Nicholaas Verkolje, today the piece is listed in the database of the RKD as a work by Pieter van Veen (no. Rudolf Wittkower noted: "representations of such rape scenes depended on Bernini's new, dynamic conception for the next hundred and fifty years". In conceiving his composition, especially the figure of Pluto, Adrian de Vries was inspired by Giambologna ’s pyramidal abduction scene, The Rape of the Sabine Women , in the Loggia dei Lanzi in Florence . Pluto was the ruler of the underworld in classical mythology. This was in contrast to the Mannerist sculpture of Giambologna, which required the spectator to walk around the sculpture to gain a view of each of character's expression. Pluto is shown with a regal crown and scepter while the three-headed dog, Cerberus, is behind ensuring no one interferes. Bernini was only 23 years old at its completion. on Amazon.com. It depicts the Roman mythological story of the abduction and subsequent rape of Proserpina by the god, Pluto. In her poem, Ceres only manages to find Proserpina thanks to the heroic acts of two nymphs. "PERSEPHONE : Greek Queen of the Underworld, Goddess of Spring ; Mythology ; Pictures : PROSERPINA." The first major innovation in the Rape narrative is the insertion of a heroic but ultimately disastrous attempt by Cyane to save Proserpina. The Rape of Persephone, or Abduction of Persephone, is a classical mythological subject in Western art, depicting the abduction of Persephone by Hades. [1][2] The word "Rape" is the traditional translation of the Latin raptus, "seized" or "carried off", and does not refer specifically to sexual violence. Bernini received at least three payments for the statue, of value of at least 450 Roman scudi. Purchased by the Italian State, it returned to the Villa Borghese in 1908. The rape of Proserpine: a poem in three books. Atsma, Aaron J. External Link: Gemäldegalerie, Staatliche Museen zu Berlin. 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