Directed by J.J. Abrams. With the Enterprise hurrying out of the Briar Patch to expose Ru'afo and Dougherty, they are running out of time and Ru'afo is unwilling to wait. "How many people does it take, admiral, before it becomes wrong? - It has no apparent stardate, and a number of lines and/or situations that suggest contradictory placements within the timeline. Troi is repulsed, pushing him back and laughing, "Yuck! One of the references to Earth's history was an indirect mention of the Atlantic Slave Trade. "Very well," Ru'afo snaps, "Destroy that ship and reset our shield harmonics, do not delay the countdown.". [76] British journalist Simon Rose, writing for The Daily Mirror was more critical of the film, saying that it failed to break the odd-numbered Star Trek film curse, and that it was "feeble", "moribund" and "tedious". [30] A further idea from Berman would have seen the return of Lore, last seen in the episode "Descent", in a film which was described as similar in tone to Star Trek II: The Wrath of Khan. She said it was organic, and was simply cooked and then glued together. This was the last Star Trek film to have the cast and crew credits at the start of the movie. Aboard the USS Enterprise-E, Doctor Beverly Crusher fusses over the collar on Captain Jean-Luc Picard's dress uniform. The second draft of Stardust featured Picard in pursuit of Data. That's an order!" Piller could not find a feasible way to include this in the script, and the budget ruled out the creation of Alamo-like structures in the mountains. The rest go with him to the surface. Picard retorts that the medical benefits of the particles does not justify Dougherty's plans for the Ba'ku and violates the Prime Directive. The game was developed by Presto Studios and published by Activision. [25] Filming began on March 31, 1998 and concluded on July 2. With the Enterprise still an hour away from transmission range, Riker needs to buy time. Riker hails Picard, who tells the commander that he may need a lift in a minute. Ru'afo is elated, noting the rings are behaving "exactly as the simulations predicted." The Enterprise bears down on the flagship. "Not that we care about such things in this day and age." Ru'afo reacts violently, throwing Dougherty over a railing and smashing his face into a glass cabinet. Picard goes to his quarters. The chief engineer, Picard sees, has also been affected by the metaphasic radiation, his eyes having been fully regenerated. Picard only brings up the Prime Directive violation to the admiral only. "Any severe mood swings, unusual aggressive tendencies – be sure to let me know," Picard says, heeding Worf's warning that the Ba'ku have become tired. Isn't that the universal greeting when communications are down?" Picard, however, expresses optimism, and points out a regretful Gallatin embracing his mother, showing that there might be hope. [27] Because Star Trek IV: The Voyage Home is light in tone, yet is the most successful of all the Star Trek films at the box office as of then, Paramount reasoned that this success could be repeated with the new film. "[67] On Metacritic the film has a score of 64 out of 100, based on reviews from 19 critics, indicating "generally favorable reviews". The citizens of this village go about their days, tending to crops and livestock – performing the functions of an agrarian civilization. Ru'afo shrugs it off, "Those names, those children are gone forever." ", "In the event of a water landing, I have been designed to serve as a flotation device. Michael Piller Anij admires the captain, running her hand over his head, "It's been three hundred years since I've seen a bald man." And from that point, we all kind of decided we needed a scale set, so we started making drawings that would show those scales, and you would have everything in comparison with the Enterprise-E." ("The Art of Insurrection", Star Trek: Insurrection  (Special Edition DVD)). and down to a lower level, where he is barely able to hang on. The series went into production following the success of Star Trek IV: The Voyage Home and would later form the basis of the seventh through tenth Star Trek films: Generations (1994), First Contact (1996), Insurrection (1998), and Nemesis (2002). The scales of the ships in Insurrection changed drastically throughout the effects part of the film, based on what would be seen with the story, and how the scenes would play out. ", "But some of the darkest chapters in the history of my world involve the forced relocation of a small group of people to satisfy the demands of a large one. Each is prepared to risk their career to stand behind Picard, who grudgingly accepts their help. Picard orders everyone to move out. The Son'a leader, Ahdar Ru'afo (F. Murray Abraham), convinces Dougherty to allow two Son'a ships to attack the Enterprise. Lieutenant Commander Data (Brent Spiner) is temporarily transferred to an undercover mission observing the peaceful Ba'ku people. ", "Who the hell are we to determine the next course of evolution for these people?!! Arriving at a lake surrounded by snow-topped mountains, Picard and the group of Ba'ku watch Data as he uses his tricorder to scan for evidence. Star Trek Nemesis, Star Trek and all Star Trek movies since have their credits after the movie had finished, as is now standard for most major Hollywood films. Dougherty is grave, telling the captain of Data's attack on the duck blind and a subsequent hostage taking. Picard, Anij, and several Ba'ku are transported as prisoners onto the Son'a ship. It praised the directing of Jonathan Frakes and the computer generated special effects and gave the film two and a half stars overall. With help on the other side of a newly formed wall of rocks, Picard must do his best to help Anij. Berman suggested that Data become the renegade crew-member that Picard must deal with. ", "Can she mambo?" But why? Worf sits on Ru'afo's couch, surrounded by Son'a officers who hold him at gunpoint. SBS' Effects Supervisor John Grower recalled, "Each ship was made up of lots of nurb surfaces, and the databases were hundreds of megabytes per ship. Speaking privately, Gallatin argues that killing all the Ba'ku is taking things too far, and Ru'afo reminds him, "No one hated them more than you, Gal'na." Picard sympathizes, but tells both men that if Data is to be captured, he should be the one to do it. Rick Berman meanwhile hoped to remake a classic story into a Star Trek film. A beautiful woman, Anij, emerges from a crowd of her fellow Ba'ku and makes her way through the village, stopping to silently greet a man named Sojef. Despite the film's PG rating, Admiral Dougherty's death is fairly gruesome but is at a level similar to such deaths in PG rated horror films in the 1960s to the early 1980s. Gallatin returns to the holding cells. [25] The texture on the model of the Enterprise-E was created from a series of close-up photographs of the model Enterprise which had been used in First Contact. [47], Insurrection was the first Star Trek film with space-based effects produced entirely using computer-generated imagery (CGI). The flagship spins out of control, fires blazing on its hull. Seeing the Starfleet captain, Ru'afo fires his disruptor. [19] The uniforms appeared for the first time in the episode "Lonely Among Us", and were based on the 18th century designs for the Royal Navy. 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