When her hometown of Bethulia was besieged by Assyrian forces, Judith infiltrated the enemy camp. Phaeton’s reckless driving caused rivers to dry up and lands to become desert. About. The Jewish heroine Judith holds the head of the enemy Assyrian commander, Holofernes, who she has just decapitated in his drunken sleep. Here she places Holofernes‘ head into a sack held open by her maid. [Go to accessibility information]. Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601). To find out more read our updated Use of Cookies policy and our updated Privacy policy. Judith had succeeded in luring the enemy warlord Holofernes into his tent, where she seized the opportunity to cut of his head while his guards were outside. [Skip to content] Judith with the Head of Holofernes. This composition and the variety of textures enhance the narrative, juxtaposing delight with horror and tricking the viewer just as Judith tricked Holofernes. Before you get too agitated, male readers, please note that #notallmen are getting their heads cut off in the following paintings, just Holofernes. When Gentileschi was rediscovered, her paintings of Judith killing Holofernes made people gasp. A Working Collection; History of the Collection; Roles in Action; Advisory Committee; Staff; Contact Us ; Explore the Collection. Art UK has updated its cookies policy. Kunsthistorisches Museum Wien Vienna, Austria. Two reasons. 1469–70) similarly presents her like a goddess; in the painting, she dons a chaste, yet richly draped, dress. and privacy policy, Enter your email address below and we’ll send you a link to reset your password, I agree to the Art UK terms and conditions [Skip to quick links] The Bible relates how Judith saved her people in a war with the Assyrians by seducing their general Holofernes and cutting off his head. She gained entry to the tent of the Assyrian general Holofernes, and when he was drunk after a banquet she seized his sword and cut off his head. The canvas will be rolled-up in a secure postal tube. The artist had painted his lover, Maria di Giovanni Mazzafirri, known as La Mazzafirra, as the beguiling but pious widow Judith. Her gaze is steely and resolute as she turns to look at the viewer, but her cheeks are flushed, her skin shiny with sweat and her fleshy lips glossy. Lucas Cranach d.Ä. Judith was the biblical heroine who seduced and then decapitated General Holofernes in order to save her home city of Bethulia from destruction by the enemy, the Assyrian army. Judith with the Head of Holofernes, 1901 Giclee Print by Gustav Klimt. When her hometown of Bethulia was besieged by Assyrian forces, Judith infiltrated the enemy camp. 1625. There has been some argument about the identity of the woman in this painting. )’; repr. We offer free shipping as well as paid express transportation services. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Once he had succumbed to her advances, she beheaded him with a sword. Presented by John Archibald Watt Dollar, 1931, Research, private study, or for internal circulation within an educational organisation (such as a school, college or university), Non-profit publications, personal websites, blogs, and social media. She is depicted here, in all her finery, displaying Holofernes' head in triumph. You can reproduce this image for non-commercial purposes and you are not able to change or modify it in any way. This artwork does not have any tags yet. All judith and holofernes paintings ship within 48 hours and include a 30-day money-back guarantee. Choose your favorite judith and holofernes paintings from millions of available designs. ‘Judith with the head of Holofernes’ was created in c.1530 by Lucas Cranach the Elder in Northern Renaissance style. Find more prominent pieces of religious painting at Wikiart.org – best visual art … 1530 Lucas Cranach the Elder German On view at The Met Fifth Avenue in Gallery 626 The Jewish heroine Judith presents the severed head of the Assyrian general who besieged her city, having seduced and then beheaded him with his own sword. Their limbs and bodies are positioned so that they create a continuous circle up through the sweeping curve of Judith’s body, through the three heads – Judith’s, the maid’s and Holofernes‘– and down to Holofernes’ bloodied wound, along his right arm and back to Judith. The drama of the composition, the powerful gestures and the use of strong contrasts of light and shade are typical of the Baroque period and particularly reflect the work of the Italian painter Caravaggio, whose paintings Liss must have seen while he was in Rome in the 1620s. Possibly developed from the sketch in black and white chalks in the ‘Calais Pier’ sketchbook, LXXXI-41, where, however, the figure to the left and behind the young woman appears to be male and bearded, though this is not altogether certain (Finberg 1909, p. 215, entitled the drawing ‘Study for Joseph and Mary (? As an example of virtue overcoming vice, the subject was quite popular among Old Masters, a typical example is Judith Beheading Holofernes by Caravaggio. You can help by tagging artworks on Tagger. Four centuries earlier, the Florentine courts similarly gossiped about the messy affair that inspired Allori’s Judith with the Head of Holofernes (1613). Holofernes is half-naked, with only his wrinkled bed sheets covering the lower part of his body. Judith with the head of Holofernes ... Media in category "Paintings of Judith with the head of Holofernes by Lucas Cranach (I)" The following 21 files are in this category, out of 21 total. Sign up to our emails for updates. Judith and Her Maidservant with the Head of Holofernes, ca.1623-1625 His muscular torso is cast partly in shadow by her body, highlighting the juxtaposition of their brightly lit left arms. Judith with the Head of Holofernes ca. This work is linked to Judith 13:9. The influential composition by Cristofano Allori(c. 1613 onwards), which exists in several versions, copied a conceit of Caravaggio's re… In Caravaggio’s oil on canvas painting, Judith Beheading Holofernes (1598-99), tenebrism, a stark play of light and shadow, illuminates the strength and courage of Judith’s actions while simultaneously presenting an image of such gore that many of Caravaggio’s contemporaries would have recoiled in horror and disgust. The artist styles Judith with Viennese styles of his time, adapting heavily the original story. Salome was the title given by many to this work initially as a way of accepting the artwork into society at that time, but as things have moved on over the past century it is now refered to with the correct name as the artist had always intended. The image of Judith with the head of Holofernes came to symbolise virtue overcoming vice. Here she places Holofernes‘ head into a sack held open by her maid. By the late Renaissance, depictions of Judith had become more seductive and aggressive. This grieving widow put on her best clothes and seduced Holofernes, the officer commanding the troops who were violently threatening her fellow citizens. We offer the Giovanni Francesco Guerrieri work of art 'Judith with the Head of Holofernes'. Judith is commonly depicted as being assisted by an older maidservant in placing the head in a sack. Artemesia Gentileschi. Meanwhile, it’s impossible to avoid the streams of blood gushing from Holofernes’ mutilated neck. Contemporary viewers would have known that, according to the Book of Judith, she remained pure and undefiled, the chastity of her conquest making her victory all the more righteous. Judith with the Head of Holofernes 1600 Oil on canvas, 130 x 110 cm Museo Davia Bargellini, Bologna : The physiognomy of Judith and the maid servant has lead scholars to believe that the two figures are portraits, and several theories have emerged as to the identity of the women. Sandro Botticelli ’s depiction of Judith returning to Bethulia with the head of Holofernes (ca. She gained entry to the tent of the Assyrian general Holofernes, and when he was drunk after a banquet she seized his sword and cut off his head. Review our guidance pages which explain how you can reuse images, how to credit an image and how to find more images in the public domain or with a Creative Commons licence available. Once he had succumbed to her advances, she beheaded him with a sword. Add or edit a note on this artwork that only you can see. Phaeton, son of the sun god Phoebus, persuaded his father to let him steer his chariot, which was led by fire-breathing horses, across the sky. The figurative theme of Judith and Holofernes was very popular in Florence, mainly thanks to the bronze sculpture by Donatello erected in the Piazza della Signoria in 1494 (now on display in the Hall of Lilies in the Palazzo Vecchio), and became a representation of guile, courage and faith in God, necessary virtues to gain freedom from any oppressor. Titian 1487/90 – 1576. Her gaze is steely and resolute as she turns to look at the viewer, but her cheeks are flushed, her skin shiny with sweat and her fleshy lips glossy. Once the painting "Judith with the Head of Holofernes" is ready and dry, it will be shipped to your delivery address. You can find notes again by going to the ‘Notes’ section of your account. Judith with the Head of Holofernes Lucas Cranach the Elder Art Funded 1995 Dimensions 76.7 x 55.8 cm Vendor Private vendor. oil on canvas (89 × 73 cm) — c. 1515 Galleria Doria Pamphilj, Rome Titian biography. Judith – the beautiful Hebrew widow- then returned to her home in Bethulia, presented the severed head of Holoferes and the Hebrews were able to defeat the forces of the enemy. By using this website you are agreeing to the use of cookies. This image is available to be shared and re-used under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (CC BY-NC-ND). This image is licensed for non-commercial use under a Creative Commons agreement. It is even suggested that the figure of Judith is a self-portrait. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. The contrast between Holofernes's crude features and the heroine's beauty underlines the moral message of the eventual triumph of virtue over evil. Judith with the Head of Holofernes Paolo Veronese 1575/1580. Judith with the Head of Holofernes Origin Italy Date 1660–1670 Medium Oil on canvas Dimensions 38 3/4 × 29 3/4 in. Judith’s body is partly bare – the exertion has loosened her chemise, revealing her back and shoulders. This grieving widow put on her best clothes and seduced Holofernes, the officer commanding the troops who were violently threatening her fellow citizens. Disarmed by her looks, the soldiers believed her when she offered them assistance. Judith and her Maidservant with the Head of Holofernes. Judith became the epitome of a virtuous women, who wasn't afraid to get her hands dirty and fight for her freedom. 100% satisfaction guaranteed. Lucas Cranach d.Ä. Margaret’s court sculptor, Conrad Meit, produced one of the masterpieces of Renaissance sculpture, a Judith with the Head of Holofernes (Munich, Bayerische Nationalmuseum), circa 1525–28. - Judith im Zelt des Holofernes (1531, Schloss Friedenstein).jpg 993 × 1,344; 1.05 MB. Home Artworks Judith with the Head of Holofernes. Many paintings of female figures, in formats similar to this, originated from Cranach's family workshop, but this is a particularly impressive example. Article Provenance Judith and Her Maidservant is one of four paintings by the Italian baroque artist Artemisia Gentileschi that depicts the biblical story of Judith and Holofernes. You must agree to the Creative Commons terms and conditions to download this image. ‘Judith with the head of Holofernes’, Titian, circa 1515 Judith has cut off the head of the enemy general Holofernes, and now prepares to carry it back to the townspeople of Bethuliah. Instead he succumbed to alcohol and Judith seized the opportunity to cut off his head, causing the flight and defeat of the Assyrian army. in colour Wilkinson 1974, p. 59). The painting bears a serpent trademark which was used by Cranach as a mark of authenticity on work originating from his workshop. 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