In How I Learned to Drive, a woman nicknamed "Lil Bit" recalls memories of emotional manipulation and sexual molestation, all of which are tied together with driving lessons. Li'l Bit is 17 years old and sitting in Uncle Peck's car. Synopsis: A mother gives her daughter essential tips on how to drink when on a date. To Li'l Bit, the radio is the most important part of the car, but the pop music of the 50's can never quite drown out the harrowing images in her mind. Lil’ Bit is the main character of How I Learned to Drive; the story READ MORE - PRO MEMBERS ONLY Join the StageAgent community to read our character analysis for Lil' Bit … Loved loved loved Aunt Mary's monologue. Big Papa Li'l Bit's grandfather, the father of her mother and Aunt Mary, is a crude, offensive man who expects to be waited on by his wife. Order the play. Robertson is vile as Uncle Peck, his monologue about fishing (which is a metaphor for his relationship with Li’l Bit) being one of the creepiest things I’ve seen in a while. How I Learned to Drive Scenes 1-3 Summary & Analysis Scene 1 Summary: “Safety first—You and Driver Education” In a monologue , an adult Li’l Bit tells the audience that she intends to tell a secret and must first start with a lesson. The story follows the strained, sexual relationship between Li'l Bit and her aunt's husband, Uncle Peck, from her pre-adolescence through her teenage years into college and beyond. Start: _(Stirring. Peck unhooks her brassiere through he… Li'l Bit breaks from this scene to describe her family to the audience. Li'l Bit is 17 years old and sitting in Uncle Peck's car. She then returns to the memory, which turns into an argument between Mother and the Grandparents. L.A. Theatre Works produced an audio performance of the play, starring Glenne Headly, Randall Arney, Joy Gregory, Paul Mercier, and Rondi Reed. I don’t know...Maybe it’s just me, but do you ever feel like you’re a walking Mary Jane joke? I hope this helps any. [8], A 1999 production at the Mark Taper Forum in Los Angeles featured Molly Ringwald and Brian Kerwin. In a monologue, Uncle Peck gives the unseen Cousin BB a fishing lesson, where it is strongly implied that he uses this as a cover to molest the boy the same way he used driving to abuse Li'l Bit. She shares the story of her relationship with her family, and more specifically with her Uncle Peck (Peter O’Connor.) In June 2019 the play was performed in Singapore by Wag the Dog Theatre Ltd with Victoria Mintey as L'il Bit and Sean Worrall as Uncle Peck. Li'l Bit becomes confused as to how Peck could abuse her while still being helpful. The script is a memory play told largely out of chronological order, with the first scene taking place in 1969 in a parking lot in rural Maryland. (When Reaser delivers Li'l Bit's final monologue while standing under one of them, the unfortunate visual image recalls a streetwalker, which I can't believe was the intention.) Aunt Mary takes the stage to defend her husband's actions to the audience. [18], Jill Dolan, in her review in Theatre Journal, Johns Hopkins University Press, wrote of the original 1997 Off-Broadway production: "Vogel’s choice to remember Li’l Bit and Peck’s relationship nonchronologically illustrates its complexity, and allows the playwright to build sympathy for a man who might otherwise be despised and dismissed as a child molester....Vogel builds the relationship in scenes sculpted with spare efficiency by Brokaw that crystallize moments of trust, disappointment, longing, and desire. The adult Li'l Bit breaks the memory to explain that she went on to have a one-night stand with a high school senior while she was twenty-seven, experiencing the allure of young flesh that her uncle once felt. This is Li'l Bit's monologue from the Pulitzer winning play "How I Learned to Drive" by Paula Vogel. In How I Learned to Drive, a woman nicknamed "Lil Bit" recalls memories of emotional manipulation and sexual molestation, all of which are tied together with driving lessons. Like you’re being looked at all the time? An 11-year-old Li'l Bit fights with her mother about going on a seven-hour car trip to the beach with Uncle Peck. Li'l Bit from How I Learned to Drive by Paula Vogel. Aside from Li'l Bit and Uncle Peck, a Greek Chorus of three is on hand to play all of the other characters in their lives. A Mother's Guide to Social Drinking Monologue.Click here to read monologue on Google Books. Join the StageAgent community [7], The play was produced at the Arena Stage in Washington, D.C. in 1999, directed by Molly Smith. "...she was stunned to find herself sympathizing with the narrator, Humbert Humbert, who sexually molests an adolescent girl. She claims that he is a good man, and that it is all Li'l Bit's fault for leading him on. In this monologue Lil Bit concludes that driving is her only true pleasure. Li'l Bit questions where Peck was during Thanksgiving, implying that he entered a rehab for his alcoholism. Li'l Bit (Mary-Louise Parker) and Uncle Peck (David Morse) are painted with the delicate brush strokes of a sumi painting, more subtle than sensational, and as unstereotypical a victim and victimizer as Lolita and Humbert Humbert (from Nabokov's Lolita which the playwright credits as her inspiration)...Before I say one more word, this is one of the must-see events of the season..."[6], The Baltimore Sun reviewer wrote of the 1998 Center Stage production: "The surprising gift Vogel has given her two main characters is that, instead of labeling them good and evil, or victim and criminal, she treats them both with respect. But soon, we come to understand that How I Learned to Drive is a nonlinear narrative, and Li’l Bit’s story is darker and more disturbing than we’ve been led to believe. Character Name: Li'l Bit Gender: Female Age Range: Teen Dialects: Standard American Ethnicities: Caucasian This includes her alcoholic mother, the "titless wonder", her misogynistic grandfather "Big Papa", her submissive grandmother, and her young Cousin BB (Blue Balls). And Little Mary Jane just laughed and laughed because she knew her money was in her shoes.”. Peck's wife Mary (Li'l Bit's maternal aunt) asks him to comfort Li'l Bit, indicating that she (Mary) is ignorant of his abuse. The Greek Chorus lists the letters and gifts that Peck sends her, with each note counting down how many days are left until her 18th birthday. ... narration, and monologues. The play opens with the main character, Li'l Bit, speaking directly to the audience. She’s not an unreliable narrator. Upgrade to PRO More surprisingly, it clarifies the patterns in the relationship between niece and uncle: of degrees of responsibility, feelings of guilt and shifts in power. ... “How I Learned to Drive” was written by American playwright Paula Vogel and premiered off Broadway in February on 1997 at the Vineyard Theater. "It is a performance that captures Ms. Vogel's remarkable, clear-eyed empathy in portraying the incalculable damage done by damaged people". Li'l Bit reveals that she eventually lost her scholarship and was expelled from college because of a drinking problem. [13], In 2012 University of Vermont's Department of Theatre produced the play with Vogel attending and addressing a symposium on women writers. On Christmas Day 1964, 13-year-old Li'l Bit helps Uncle Peck wash the dishes. Paula Vogel’s 1998 Pulitzer Prize-winning play, “How I Learned to Drive.” Set in the 1960s and ’70s, the play tells the story of a young woman, Li’l Bit, portrayed from ages 11 to 30, who is given driving lessons by her 40-something uncle by marriage. Word Count: 1137. at the end of the play. There’s more going on here, the gray areas vanish, and soon the audience’s laughter dies down, and then disappears entirely. Also, Paula Vogel talked alot about Peck's fishing monologue, and I think that was written to be a climax. The play was produced in Spanish by DETUCH Company in various theaters in Santiago de Chile in 2008, with Alejandra Díaz Scharager (Lil' Bit), Víctor Montero (Uncle Peck), Gabriel Urzúa (Male Greek Chorus), Annie Murath (Female Greek Chorus) and Carolina Larenas (Teenage Greek Chorus), directed by Marco Espinoza Quezada. The play "How I learned to drive" is written by the playwright Paula Vogel and won her a Pulitzer award for drama in 1998. "[3] Brantley, in his The New York Times review of the 2012 Second Stage production, wrote: [...] Well, don’t you ever feel...self-conscious? "[19], The CurtainUp reviewer of the original 1997 Off-Broadway production wrote: "Ms. Vogel has achieved the seemingly impossible: A story about a disturbing subject, pedophilia, that is as funny--yes, really,--as it is disturbing. The work was directed by Kate Whoriskey and stars Norbert Leo Butz as Uncle Peck and Elizabeth Reaser as Li'l Bit. Li'l Bit offers to spend one day a week with Uncle Peck, so long as he never "crosses a line". The original cast:[5], A production ran at Center Stage in Baltimore in 1998 and was directed by Barry Edelstein. How I Learned to Drive is a play written by the American playwright Paula Vogel. The play had been presented by the Vineyard Theatre in February to April 1997. (When Reaser delivers Li'l Bit's final monologue while standing under one of them, the unfortunate visual image recalls a streetwalker, which I can't believe was the intention.) The play premiered on March 16, 1997, Off-Broadway at the Vineyard Theatre. Last Updated on October 26, 2018, by eNotes Editorial. What influence do you think this had on Li’l Bit allowing Uncle Peck to have a relationship with her? Research Playwrights, Librettists, Composers and Lyricists, See more monologues from What does Mary reveal in a lengthy monologue that makes most readers angry? "[3], How I Learned to Drive premiered Off-Broadway in a production by the Vineyard Theatre (Douglas Aibel, Artistic Director; Jon Nakagawa, Managing Director) on May 6, 1997 and closed on April 19, 1998 at the Century Center For The Performing Arts. Mother tries to be helpful in explaining topics such as orgasms and consent, while Grandmother wails that Li'l Bit is too young to know about sex and uses scare tactics to keep her from doing it until she is married. It's Uncle Peck who teaches Li'l Bit how to drive, and thus it's Uncle Peck who gives her freedom, but at a heavy price. [9], In 2006 the play was produced by the T. Schreiber Studio and Theater in New York City. HOW 1 LEARNED TO DRIVE As the house lights dim, a Vâce annwuncæs.' Word Count: 1137. Startled by how unhinged her uncle has become, Li'l Bit arranges a meeting in a Philadelphia hotel room on December 10, 1969. Then the sound of a key turning the ignition of a car L;i'l Bit steps ... night air Li'l Bit climbs in beside him, seventeen years old and tense. The scenes shifts to 1965, where Uncle Peck takes provocative "pin-up" photos of Li'l Bit. Vogel was inspired by "Lolita" by Vladimir Nabokov. Photograph: Joan Marcus Li'l Bit--one of the two central characters in How I Learned to Drive, Paula Vogel's funny, smart, deeply disturbing memory play currently in revival at Second Stage--comes of age in rural Maryland during the 1960s and early 1970s, at a time when the country stopped making much sense. After all,... Hershey Felder Live From Florence: 5-Show Season Subscription -- Online. "[7], Ben Brantley, in his The New York Times review of the original 1997 production, wrote: "The scrambled chronology, which suggests the ways memories attack by stealth and out of sequence, makes it harder for the audience to form conventional judgments. The script then returns to the present. Since early. Directed by Warren Baumgart Jr with Susie Penrice Tyrie, Mario Chan, Deborah Hoon as the Greek chorus. [...] You haven’t heard the Mary Jane jokes? Li'l Bit sits in the car with Uncle Peck, only she doesn't speak her lines out loud. It was also produced at the Teatro auditorio de Miraflores in Lima, Peru, in 2013, with Li'l Bit renamed "Rayita" and played by Leticia Poirier and Uncle Peck renamed "Tío Pico" and played by Marcelo Rivera. https://stageagent.com/monologues/3618/how-i-learned-to-drive/lil-bit Philadelphia, PA, Accessibility Statement Terms Privacy |StageAgent © 2020. As Li’l Bit, Eliza Stoughton negotiates the age shifts in the character, narrating backward and in broken chronology from the 1980s to her early teen years. to learn more about this monologue from How I Learned to Drive and unlock other amazing theatre resources! Overview. Ok. “Little Mary Jane is walking through the woods, when all of a sudden this man who was hiding behind a tree jumps out, rips open Mary Jane’s blouse, and plunges his hands on her breasts. Your book defines this as “A play that combines elements of tragedy and comedy. This is fine, really, because Li'l Bit's immediate world doesn't make much sense, either. Vogel wrote the play at the Perseverance Theatre, Alaska, where she was in residence. Gain full access to show guides, character breakdowns, auditions, monologues and more! Li'l Bit drunkenly kisses her uncle, but Peck refuses to go any further until she coherently says otherwise. Peck molests his niece for the first time. Li'l Bit reflects on how she is ready to move on with her life, and that despite everything she has been through, she can thank her Uncle Peck for one thing: the freedom she feels when she drives. Peck carries the drunk Li'l Bit to his car, where they discuss the nature of her relationship. And that's the conundrum that guides the play. Li'l Bit mentions she is graduating high school and going to a "fancy college" in the fall, while Uncle Peck continues to admire her body. Notes: Paula Vogel is a brilliant writer with mountains of wit and this monologue is a prime illustration of that. How I Learned to Drive is a memory play that deals with issues of victimization, sexual abuse, incest, and alcoholism. The affair takes place over the course of years, with the character of Li'l Bit maturing from age 11 to 18 before she finally puts an end to it. I think that’s a lovely idea. She then has a memory of 1968, where Uncle Peck takes her to a fancy Eastern Shore restaurant as a reward for passing her driver's test on the first try. What about tragicomedy? Personally, those three scenes for me were climaxes for me. The Teenage Greek Chorus, acting as young Li'l Bit, does so. She never sees Peck again after she leaves the hotel room. Showing that he does have genuine concern for Li'l Bit beyond her body, Peck gives reasonable advice on how to be safe on the road. He went on to die after drunkenly falling down a flight of stairs in his basement. and ultimately tragic, though shrewdly staggered moments of levity and candor keep it from Lifetime lows. Productions for Fools & Kings Theatre, with set and costume design by Katharine Heath, lighting design by Ziggy Jacobs, and composition and sound design by Nathan Klein.[16]. The play tells the story of a woman nicknamed Li'l Bit as she comes to terms with her sexually abusive relationship with her Uncle Peck throughout her adolescence. Jersey Boys As Li’l Bit, Eliza Stoughton negotiates the age shifts in the character, narrating backward and in broken chronology from the 1980s to her early teen years. Aside from Li'l Bit and Uncle Peck, a Greek Chorus of three is on hand to play all of the other characters in their lives. It was written and developed at the Perseverance Theatre in Juneau, Alaska, with Molly Smith as artistic director. I'm tired and I can on and on. feminist. Sign up today to unlock amazing theatre resources and opportunities. [14] Natalie Battistone and Colby Morgan played the lead roles. Also, the hotel room scene with L'il Bit and Peck and The Male and Female Greek chorus is a climax as well. How I Learned to Drive, Dramatists Play Service, 1997, pp. The L Magazine review commented: "Vogel’s play is twisted, smart (drive: metaphors for control, anyone?) Also, the hotel room scene with L'il Bit and Peck and The Male and Female Greek chorus is a climax as well. From 1979 to 1982, she was a … The production was directed by Department of Theatre Chair Gregory Ramos. 1 Monologue(s) - Teen, Standard American. The production opened February 13, 2012 and was favorably reviewed by The New York Times. Li'l Bit yells at Uncle Peck for becoming so possessive, while he insists that his niece is the love of his life. The metaphor of learning to drive has to do with gaining control. It is all of those things. She attended Bryn Mawr College on a scholarship in 1969 and then went back to Washington, where she attended Catholic University of America, earning her Bachelor of Arts degree in 1974. Li'l Bit reveals that the years of trauma from Peck has finally caught up with her, leading to her not focusing in school and failing her courses. Last Updated on October 26, 2018, by eNotes Editorial. The scene flashes forward to 1969, Li'l Bit's freshman year of college. She’s not an unreliable narrator. Safety first — You and Driver Education. Scott is excellent as Li’l Bit, too, particularly with the constant change in ages for her. The Teenage Greek Chorus member briefly takes over to introduce a memory that is not Li'l Bit's. Though her experience is painful and disturbing, Li’l Bit is o.k. ... “How I Learned to Drive” was written by American playwright Paula Vogel and premiered off Broadway in February on 1997 at the Vineyard Theater. Paula Vogel's bravura blending of dramatic devices still makes this a knock-your-socks-off triumph. Li'l Bit reflects on why her uncle may have molested her, wondering if someone did it to him when he was a child. Which is not to say “How I Learned to Drive” is not disturbing, unsettling, and occasionally graphic. When Uncle Peck volunteers to teach his niece how to drive, he uses private time as an opportunity to take advantage of the girl. Updated January 15, 2020. There’s more going on here, the gray areas vanish, and soon the audience’s laughter dies down, and then disappears entirely. to learn more about this monologue from How I Learned to Drive and unlock other amazing theatre resources! All; Stats; Monologue; Books (1) Videos (0) Character Name: Li'l Bit Gender: Female Age Range: Teen Dialects: Standard American Ethnicities: Caucasian. Peck slyly orders oysters and martinis for Li'l Bit to consume, while the girl's mother gives less than stellar advice on drinking alcohol. Li'l Bit has one more memory to share: the summer of 1962. [1] The theatre presented a first reading. I hope this helps any. [4] The Vineyard Theatre production, in association with Daryl Roth and Roy Gabay, moved to the Century Theatre in April 1997. A female monologue from the play How I Learned to Drive by Paula Vogel. Tony Award® winner Mary-Louise Parker (Proof) and Tony nominee David Morse (The Iceman Cometh) head the cast of this remarkably timely and moving memory play about a woman coming to terms with a charismatic … The play works in a non-linear way, using flashbacks, monologues and a heightened sense of the surreal to show how Li’l Bit relates to her memory and trauma. After he kneels and proposes to Li'l Bit, vowing to divorce Aunt Mary, Li'l Bit turns him down and cuts him out of her life for good. Li’l Bit’s family frequently talks and jokes about sex. The script is a memory play told largely out of chronological order, with the first scene taking place in 1969 in a parking lot in rural Maryland. [12] Ebelin Ortiz directed. [12], In 2012 Second Stage Theatre produced the first professional production of the play in New York City since its premiere in 1997. She spent most of that year driving on highways, marveling at how well Peck had taught her to drive. What influence do you think this had on Li’l Bit allowing Uncle Peck to have a relationship with her? In a monologue towards the end of the play, Vogel allows Mary to speak for herself for the first time. Frustrated, Li'l Bit leaves the dinner after Grandfather goes too far with his insults. Peck is the only family member who supports Li'l Bit's dreams of going to school. How I Learned to Drive forces its audience to confront the tough issues of parenting, gender stereotyping, incest, and child abuse. 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